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The cinematography method known as anamorphic format involves shooting a widescreen image on conventional 35 mm film or another type of visual recording medium with a non-widescreen native aspect ratio.
Wide landscape images benefit from anamorphic lenses since they can show off the wider perspective. Anamorphic lenses, however, can also enhance the drama of up-close photographs.
Their limited depth of field produces a remarkable contrast between the background blur and the sharply defined subject. The image is stretched vertically in anamorphic widescreen to fill the entire frame.
Additionally, it describes a projection format in which an anamorphic projection lens “stretches” a distorted image to restore the original aspect ratio on the viewing screen.
Anamorphic has seen a significant comeback in popularity in the years since digital cinema cameras and projectors have become widely available. This is largely because of the increased base ISO sensitivity of digital sensors, which makes it easier to film at narrower apertures.
The global anamorphic imaging system market accounted for $XX Billion in 2022 and is anticipated to reach $XX Billion by 2030, registering a CAGR of XX% from 2023 to 2030.
More information on small anamorphic lenses is now available thanks to the establishment of Laowa’s Indiegogo campaign page for its new Nanomorph lenses.
The first three Nanomorph lenses—a 27mm T2.8, 35mm T2.4, and 50mm T2.4—are now available to back on Indiegogo following a slight delay in the campaign’s opening. According to Venus Optics, 65mm and 80mm focal lengths will be released later this year.
The lenses have mount options for Canon EF, PL mount, Canon R, Sony E, M43, DJI DL, Nikon Z, L mount, and Fuji X. They are made for S35 and MFT cameras.
All three of them provide a consistent 1.5x squeeze factor over the whole focus distance range, which is a feature often reserved for more expensive anamorphic lenses.
This continuous squeeze ratio prevents the lenses’ anamorphic effect from diminishing when they are near a subject, which might result in scenes with distorted faces and objects.
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