
- Get in Touch with Us
Last Updated: Apr 25, 2025 | Study Period: 2022-2030
Fashion is an extremely significant social phenomenon.Fashion contributes in some ways to the visual representation of personality.It's a way to show who you are.It is art, a necessity, an expression, and a function all at once.It's something that makes you feel in charge and powerful.
"Fashion is about storytelling through clothing," a freelance stylist once said.It's all about the stories you tell about them and the stories you make up about them.It's a cultural influence, intellectual connection, or backstory that can be traced back to what you're wearing.
We use it to embrace and celebrate tradition while escaping the everyday.It embodies a greater sense of purpose than simply a garment worn to cover bodies. It is about a sense of history and pride.
Ghana has always been ahead of fashion.The nation has always tried to stay true to their authentic style, despite the fact that there has been a significant amount of western influence in the fashion industry.In Ghana, the history of fashion is only discussed verbally because there is no written record of it.
Fashion has been around since before colonial times.The introduction of prints by colonists marked the beginning of fashion.The nation has had a significant impact on contemporary fashion.Their designs and style stand out thanks to the use of a variety of colors and fabrics.
The Ghana Apparel Market accounted for $XX Billion in 2021 and is anticipated to reach $XX Billion by 2030, registering a CAGR of XX% from 2022 to 2030.
The clothes have a wider and international appeal as a result of the inventiveness of local fashion designers who are fearlessly transforming African fabrics into western designs.However, the Ghanaian dress is merely Western-inspired with African print.
Ghana is home to numerous well-known fashion designers.The global fashion industry has been greatly impacted by these brands.April Rust, Atto Tetteh, Denkyi, Duaba Serwa, Citizins, and Virgil Abloh are among the fashion brands that have made a name for themselves all over the world.
Studio One Eight Nine, Larry Jay, Osei Duro, and Jermaine Bleu are just a few of the fashion brands that really stand out because they use sustainable production methods.These brands want to cater to people who care about fashion and make sure they are socially and ethically responsible for the environment.
Dyeing, weaving, block printing, brass cutting, hand knitting, quilting, and soft sculpture are among the environmentally friendly and sustainable techniques they employ.In addition, these brands place a high value on project transparency and social responsibility, preferring to collaborate with a wide range of designers, artists, and professionals.
The majority of their production is done in Ghana in small shops.
The fashion industries in developed and developing nations engage in intense competition, resulting in the demise of the most vulnerable local businesses.This applies to Ghana's fashion industry as well, with independent designers disproportionately impacted.
The influx of foreign clothing and textiles onto the Ghanaian market has crippled their businesses.The large number of low-priced imported dress fashion products that were smuggled onto the Ghanaian market posed a significant threat to the local brands.
They are sold in the market at very low prices, competing strongly with the local products because they are not tested for quality and have not been subjected to the necessary taxes.Fashion companies have suffered severe consequences as a result of this unfair competition.
Sl no | Topic |
1 | Market Segmentation |
2 | Scope of the report |
3 | Abbreviations |
4 | Research Methodology |
5 | Executive Summary |
6 | Introduction |
7 | Insights from Industry stakeholders |
8 | Cost breakdown of Product by sub-components and average profit margin |
9 | Disruptive innovation in the Industry |
10 | Technology trends in the Industry |
11 | Consumer trends in the industry |
12 | Recent Production Milestones |
13 | Component Manufacturing in US, EU and China |
14 | COVID-19 impact on overall market |
15 | COVID-19 impact on Production of components |
16 | COVID-19 impact on Point of sale |
17 | Market Segmentation, Dynamics and Forecast by Geography, 2022-2030 |
18 | Market Segmentation, Dynamics and Forecast by Product Type, 2022-2030 |
19 | Market Segmentation, Dynamics and Forecast by Application, 2022-2030 |
20 | Market Segmentation, Dynamics and Forecast by End use, 2022-2030 |
21 | Product installation rate by OEM, 2022 |
22 | Incline/Decline in Average B-2-B selling price in past 5 years |
23 | Competition from substitute products |
24 | Gross margin and average profitability of suppliers |
25 | New product development in past 12 months |
26 | M&A in past 12 months |
27 | Growth strategy of leading players |
28 | Market share of vendors, 2022 |
29 | Company Profiles |
30 | Unmet needs and opportunity for new suppliers |
31 | Conclusion |
32 | Appendix |